The seventh edition is guest edited by the art critic, curator, literator, and dreamer Jean-Max Colard from Centre Pompidou in Paris. This issue is as a kind of inquiry into the place that poetry occupies today in contemporary creation, and more broadly in our lives. Jean-Max is struck by the presence of poetry, particularly among the younger generation, on social networks, and especially in the art world. With his collaborator Louise Brunner, they played with the title of the magazine to compare the poem form with other fields: poem as a journal, as a movie, as an exhibition, as sex, as itself, but not as war.