The images and thoughts in Milda Laužikaitė’s book “Daydreaming” appeared to the author through dreams and daydreams. The light-as-air images, which the artist used to casually jot down between her notes, intertwine in these pages into an imaginary script for a film starring plants. The fragments of plant life and whispered conversations, which the artist layers by disrupting the classical structure of the script and changing it radically according to the plant’s “perception”, also echo the empathic relationships between humans and non-humans in a unique way.